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Lonesome Ace Stringband
March 8 @ 8:00 pm
Seating: We assign seats in order of when you purchase your tickets. All reservations are subject to a food and drink minimum of $15 per guest. Gratuity of 20% is automatically added to all food and beverage purchases.
COVID-19 Policies: As live music reopens across the country, we, along with other venues, are prioritizing the health and wellness of our guests and staff while closely monitoring all government guidelines and recommendations regarding the spread of infectious disease.
Box Office: The Tin Pan charges lower fees for box office versus online sales. Our box office is open Tue-Sat 12PM-5PM. Please visit us during those hours or call 804-447-8189.
“Three powerful musicians playing and singing some powerful music” – Bluegrass Unlimited
The Lonesome Ace Stringband is an old-time band with bluegrass chops that play some righteous folk and country music. There’s a depth of groove and sense of space not often heard in bluegrass today, a level of instrumental interplay and vocal blend uncommon in old-time, and an on-stage rapport that transcends all of this.
Three Canadians lost in the weird and wonderful traditional country music of the American South, the band members Chris Coole (banjo), John Showman (fiddle) and Max Heineman (bass) are each journeyman musicians and veterans of some of Canada’s top roots music acts (New Country Rehab, The David Francey Band, The Foggy Hogtown Boys, Fiver).
Instrumentation alone instantly sets LAS’s sound apart: consisting of just fiddle, clawhammer banjo, and upright bass, the band moves freely between having a sound so powerful that it doesn’t seem like it should be coming from a trio, to a sparseness and fragility that draws the listener in and refreshes the ear. All three are compelling lead singers, each with his own character and range. This allows for the vocal texture to shift depending on how the song needs to feel – and what the song has to say. When those voices come together the power of the harmonies is unshakable. It’s clear to anyone who’s heard LAS that they just don’t sound like any other band.
One must, however, look at the roots of LAS to understand where the sound comes from. Starting in 2007, the band took up residency in Toronto’s legendary Dakota Tavern routinely playing 10 sets of music every weekend. LAS spent 7 years as a house band before ever taking the show on the road or recording a note. In these days when new records and buzz-bands come at us like a jacked-up news cycle, this workaday approach hearkens to another era. Those years were a gestation period that allowed for a type of looseness and intuition to develop, something that can only come from experienced musicians clocking hundreds of on-stage hours together.
As of 2021, the band has toured internationally, been engaged at some of the largest festivals in North America and Europe (including Merlefest, Rockygrass, Wintergrass, Winnipeg Folk Festival, Vancouver Folk Festival, Gooikorts, John Hartford Memorial), and recorded 4 albums. On the first two albums, Old Time (2014), and Gone For Evermore (2016) the band leaned heavily on the traditional old-time cannon to express what it needed to say musically. In 2018, with the release of When the Sun Comes Up, the band showcased its songwriting and studio savvy, offering up a more progressive interpretation of old-time music, and taking it’s sound to new places. All three albums have been embraced by both fans and critics alike.
The 4th album “Modern Old-Time Sounds for the Bluegrass and Folksong Jamboree” was released in November 2019. It showcases the band’s musical range – especially its interpretive skills in adapting repertoire from outside the genre. Bluegrass Unlimited describes the album as “unorthodox enough to be brilliant“.